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As we all know, Mills was already famous — and in the eyes of some notorious — when in The Sociological Imagination reached publication, and some of its themes had already been introduced in earlier works.
What was the audience that Mills targeted in this book? That does not seem altogether clear. His earlier books had aimed at a general audience wider than that of professional sociologists, and had sales which indicated his success in reaching their targets. But a book specifically about sociology, rather than the wider society, must surely be aimed mainly at fellow social scientists?
He does not say so in his first chapter, but there and later he implicitly takes for granted the consider- able general background knowledge of current sociology that is needed to understand his references, as he develops a strong critique of key contemporary theoretical and methodological styles.
However, the emphasis in the book on going beyond personal troubles is put as if this were a novel idea, while surely the emphasis on looking for larger causal structures was hardly original for a sociological audience.
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